댄스

(Image1) is the performer — preserve their exact identity: face, hair, and all defining features. Wardrobe: mustard flared trousers, striped knit vest, apple cap tilted back, knee-high socks — 1974 funk. (Audio1) is the finished master track — instrumental funk, tight horn stabs, popping bassline, crisp snare. The only audio; no invented music, no vocals anywhere. NO VOCALS — BEAT-LOCKED CHOREOGRAPHY AT THE ABSOLUTE PHYSICAL LIMIT IS THE TOP PRIORITY. Every horn stab and snare of (Audio1) lands on a visible body accent, frame-accurate, at maximum amplitude; the performer never mouths anything; face expressive and sharp to lens throughout. HIT MAP: 0.0–0.5 bass groove — bounce settles. 0.5–2.8 horn stabs = points and wrist rolls at full snap. 3.2–6.7 groove = scooby-doos, knee drops, LOCK on every snare. 7.5–13.7 doubled horns = jump splits chaining into knee spins, leapfrog train. 14.5–15.0 groove — final lock. CHOREOGRAPHY ESCALATION: classic locking pushed to acrobatic ceiling — jump splits that rebound directly into knee spins, wrist-roll-to-backdrop combinations, points thrown so hard the whole torso recoils. The five run a LEAPFROG TRAIN: vaulting over each other in a rolling chain that circles the performer inside two bars, locking in unison at every snare mid-circuit. The final 2 seconds are the most extreme image of the piece. Music-video route: TV funk at circus level. Director thesis: a warm 70s soul-show set where the choreography outgrows the broadcast — leapfrogging bodies orbiting a locker whose splits and spins escalate every eight counts — SIGNATURE STUNT: on the final snare all six hit simultaneous JUMP SPLITS landing directly into a full-cast lock, six statues at floor level, grins frozen. Visual world: hexagon-pattern stage floor, tinsel curtain, warm studio tungsten, vintage TV softness. 5 backup dancers in 70s funk browns and oranges. Palette: mustard, burnt orange, tinsel gold, walnut. No disco ball, no modern LED. Shot flow: 0–2.8s wide with 70s zoom: bounce settles, first full-snap points on the stabs. 2.8–3.2s double stab: double point + torso recoil, eyebrow raised. 3.2–6.7s medium: scooby-doos into knee drops, LOCKS hitting like freeze-frames inside live footage; the train begins vaulting behind. 7.5–10s knees-up frame: jump-split-to-knee-spin chain landing on the doubled horns, train orbiting at full rate. 10–13.7s the performer joins the train for one vault, then plants center as it circles — six bodies, one orbit, locks on every snare. 13.7–15s final snare: the six-way jump split landing-lock; dead still; grin to lens. Loopable. Performance rules: showtime face over acrobatic effort — winks mid-split; the five never upstage. Continuity: same six performers, same set. Audio intent: (Audio1) only; warm broadcast tone, six split-landings felt. Quality bar: viral jaw-drop Soul Train legend take, real landing physics, no AI gloss, no glow.