댄스

(Image1) is the performer — preserve their exact identity: face, hair, and all defining features. Wardrobe: gold sequin jumpsuit, platform boots, subtle glitter at the temples. (Audio1) is the finished master track — glam rock stomp, handclap backbeat, swaggering sung vocal with big vibrato endings. The only audio; no invented music, no new vocals. THE PERFORMER DANCES AT THE ABSOLUTE PHYSICAL LIMIT WHILE SINGING — INSANE FULL-BODY PERFORMANCE AND PRECISE MELODIC LIPSYNC ARE EQUAL TOP PRIORITIES. Maximum-commitment strut work in platform boots while the mouth articulates every syllable and vibrato tail of (Audio1) exactly on time; face sharp through every vocal line, no cutaways mid-word. LIPSYNC MAP: 0.0–0.5 stomp-clap intro. 0.5–2.8 [opening strut lines]. 3.2–6.7 [verse]. 7.5–13.7 [hook ×2, bigger vibrato]. 14.5–15.0 stomp hold. CHOREOGRAPHY: glam strut at showgirl-stunt level — prowl steps landing every stomp, platform high-kicks above waist height, spin-drops to one knee and up inside single bars, one full-speed knee-slide of several meters on the mylar-reflected floor. The five run a kick-line at Rockettes rate: synchronized high kicks per clap, tambourines struck ON the kicking foot at apex, line rotations that wheel the whole formation 180 degrees while kicking. ESCALATION: kick rate and slide length compound; the final 2 seconds are the most extreme image of the piece. Music-video route: runway rock as spectacle. Director thesis: a gold mylar corridor where a kick-line becomes terrain — SIGNATURE STUNT: on the final stomp the performer launches a knee-slide THROUGH the kick-line, passing under five kicking legs mid-kick, emerging at the lens with arms spread as the entire corridor's mylar ripples from the rush of bodies. Visual world: crinkled gold mylar corridor, hard white backlight at the far end, warm key tracking the face. 5 backup dancers as black silhouettes with tambourines, kicking. Palette: gold, white backlight, silhouette black. Sequins scattering real light. No confetti. Shot flow: 0–2.8s far wide: strut launches with the opening lines, kick-line firing on both claps. 2.8–3.2s first big clap: apex kick + tambourine crack from the whole line. 3.2–6.7s the walk into medium: verse — high-kicks and spin-drops woven into the strut, camera retreating at pace, line wheeling behind. 7.5–10s chest-up close: hook huge, vibrato shaping the jaw over continuing shoulder work, gold ripples accelerating. 10–13.7s the line forms across the corridor kicking at full rate, the performer circling it singing, boots hammering the stomps. 13.7–15s final stomp: the under-the-kicks knee-slide through the line to the lens, arms spread, mylar walls waving from the wake; freeze. Loopable. Performance rules: divine arrogance at stunt speed, vibrato mouthed true mid-slide; silhouettes never mouth the words — only the performer sings. Continuity: same six performers, same corridor. Audio intent: (Audio1) only; glam room slap, slide hiss. Quality bar: viral jaw-drop 70s spectacle in 4K, real mylar and slide physics, no AI gloss, no glow.